10-21-2017, 03:39 AM
I’m a 4x5 film guy that has yet to go fully digital. I’m wrapping up a hiking trip with the wife where I shot some of my remaining stock of Fuji nps ready load and Fuji instant film. Shooting was enjoyable because I was finally able to take a ‘what the hell’ approach and not worry if the images were perfectly sharp or even good.
I’m glad to see that the film market has stabilized. I wish there was more color film out there but the fact that there’s anything is reassuring. Even Polaroid is coming back - but where the hell is 4x5 Polaroid?
Which leads me to wonder - will I continue shooting 4x5 for the foreseeable future? Obviously the dollars and sense side of things doesn’t look too good. I should give digital a chance.
If I’m going to shoot digital, I want tilt shift lens. I compose in the camera, not on the computer. How do Nikon, canon , and Sony get along with tilt shift lenses? What kind of accommodations exist for focusing? Metering ( should I stick with my hand held meter?) Are there any practical differences between the platforms? Are camera and lens reviews anything other than a pissing match?
I lean towards the Sony a7RII. Would a tilt shift lens benefit from internal image stabilization? Is there any lens correction software for tilt shift lenses? I’ve heard that lens correction software can turn a nice lens into a great lens.
And then there’s the sharing and discussion of images. Instagram leaves me cold. I enjoyed Aperture mag until they decided to go with more words.
I’ll post some images soon
I’m glad to see that the film market has stabilized. I wish there was more color film out there but the fact that there’s anything is reassuring. Even Polaroid is coming back - but where the hell is 4x5 Polaroid?
Which leads me to wonder - will I continue shooting 4x5 for the foreseeable future? Obviously the dollars and sense side of things doesn’t look too good. I should give digital a chance.
If I’m going to shoot digital, I want tilt shift lens. I compose in the camera, not on the computer. How do Nikon, canon , and Sony get along with tilt shift lenses? What kind of accommodations exist for focusing? Metering ( should I stick with my hand held meter?) Are there any practical differences between the platforms? Are camera and lens reviews anything other than a pissing match?
I lean towards the Sony a7RII. Would a tilt shift lens benefit from internal image stabilization? Is there any lens correction software for tilt shift lenses? I’ve heard that lens correction software can turn a nice lens into a great lens.
And then there’s the sharing and discussion of images. Instagram leaves me cold. I enjoyed Aperture mag until they decided to go with more words.
I’ll post some images soon